Brian Wilkinson
Feb 17, 2002, 05:17 pm
<a href="http://x-mencomics.com/xfan/images/covers/ultxmen14.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/covers/ultxmen14t.jpg" align=left alt="Ultimate X-Men #14"></a>Reviewer: Brian E. Wilkinson, bewilkinson@yahoo.ca
Quick Rating: Great!
Story Title: Wild Card
The Ultimate version of Gambit concludes his explosive debut as the search for the young girl in his care comes to an end!
Written by: Chuck Austen
Art by: Essad Ribic
Inked by: Jason Gorder Livesay
Cover Art by: Adam Kubert
Lettered by: Sharpefront
Colored by: J.D. Smith
Assistant Editor: Pete Franco
Editor: Mark Powers
Editor-In-Chief: Joe Quesada
President: Bill Jemas
An incredible effort is made here by writer Chuck Austen and artist Essad Ribic to make this two-issue fill-in as memorable as anything that can be done by the regular creative team of Mark Millar and Adam Kubert. In fact, so strong was Austen’s offering for this series that Marvel editorial had a bit of a no-brainer choice for Joe Casey’s replacement on Uncanny X-Men come issue #410 and I must say that I agree. The writing is top-notch with all the characterizations, action, and emotions that X-Fans have come to expect from their favorite comic soap opera. If for some bizarre reason you happen to disagree, then at least the series is back on a regular publishing schedule which should please you.
Austen’s Gambit literally leaps off the page both in terms of characterization and future potential as his search for the young girl who fell under his care last issue comes to an explosive end. While last issue gave readers insight into Gambit’s character (including his caring nature, his mutant abilities, and how he earns his living) this issue was all about kicking butt and taking names. If it weren’t for how kind Gambit had been in the previous issue, I would be feeling a lot more wary as to his true nature and potential involvement in the book for future plotlines. The bulk of this issue sees Gambit moving from one level of scum to another in search of the elusive killer/corrupt cop, Hammerhead.
The only question I had in regards to this issue was that Gambit had little to no lead in beginning his search for the young girl. I suppose that living on the street one has more knowledge of lower-level thugs so in order to more enjoy this issue I’ll just assume that Gambit was really lucky. After breaking up the card game Gambit moves on to bigger fish, namely that of the long-time regular Marvel Universe Spider-Man foe, Silvermane (who to my knowledge had yet to appear in the Ultimate Universe. Leaving a scarred Silvermane and destroyed office in his wake, Gambit prepares for his final showdown.
I am often surprised by the brutal nature of Ultimate X-Men. Each issue leaves me breathless in terms of quality of writing and art, but also because of the events that transpire. Usually there are several events that leave me wide-eyed because of the level of violence that is used. It was my understanding that the Ultimate line was primarily introduced to try and gain a new readership and in particular from younger age groups. I’m not complaining about the level of violence used here as in the context of the story it seems necessary and is rarely gratuitous, but it still is surprising. Take the way Gambit and Hammerhead’s fight is resolved. Though some might feel necessary, dramatic, and exciting, I couldn’t help but feel a small amount of shock. If Gambit is willing to resort to this level of violence (and keep in mind he is only a teenager at this point in the series) it makes me wonder what future stories would necessitate him doing.
Great mystery moment of the issue: Hammerhead mentioning that Gambit was left alive because Silvermane owed a favour to Nathaniel Essex. For all the astute X-Fans out there, this is the real name of Mr. Sinister… long time X-Men villain and a teaser for an eventual appearance in the series. You’ve got to both love and hate Austen for teasing fans like that as Sinister won’t appear for a minimum of six months at the least. Oh well, if I have to wait ten months for The Lord Of The Rings: The Two Towers I guess I can wait six and hope for a Mr. Sinister appearance.
Bottom line (at least for Gambit) is that there is the life (or possible death) of a little girl on the line. Despite the fact that he has only known her for a day, Gambit seems to have a clear idea of what is right and wrong. Since the young girl (whose name is never revealed) is unable to defend herself, it falls on Gambit’s shoulders to try and protect her. Save her he does, but at a terrible cost to himself. Gambit is now in a really, really bad position. He has made enemies at ever level of crime in the city, he has killed a cop (corrupt though he may be), and caused untold amounts of damage to the places he visited. As much as he may want to, he can’t keep the girl with him.
Austen really pulls on the heartstrings on the last few pages of this issue. An incredibly beautiful and touching scene sees the young girl and Remy parting ways in such a way that makes one think of a fairytale. As Remy disappears into the night and the young girl left with those that might be able to give her a better life, he quells her fears that he does not care with a simple card trick that dissolves into a heart. Though this is likely the last time we will see Gambit in these pages for some time to come I think this issue makes a strong case for fans to start a campaign for his return.
A nice touch included in this issue by Austen was the appearance of Xavier and Storm as they attempt to bring Gambit into the X-Men fold. Misunderstanding their intentions due to the frequent harassment he has previously received by strangers he brushes them off. At least Xavier managed to give him his card…. here’s hoping Gambit reads the card rather than using it to blow something up. This scene rather nicely sets up the possibility for a return appearance of Gambit while conveniently not promising anything to eager readers. Also, given that the name of this book is Ultimate X-Men it’s nice to see the X-Men actually showing up… even if only for two pages.
The art in this issue was perfectly suited to the mood and characters. Ribic’s Gambit has the perfect blending of the grit of the street mixing with the traditional charm and style that we have come to know in the Marvel Universe version of Gambit. Ribic keeps the action flowing yet considerately keeps the often quite violent aspects light enough for younger readers to enjoy. His best scene of the issue comes at the end between Remy and the young girl as the stars, trees, and shadows all work wonderfully with Austen’s words to create one of the most touching moments of the entire series so far. The energy and emotion that all of Ribic’s characters display continues to impress me and I hope to see his work again in the near future.
For those foolish readers out there who chose to abandon the series for this arc I’m sorry to say that you’ve missed out on something quite special and unique. Though I am as eager as the next to get back to the stylings of Millar and Kubert, I will miss Chuck Austen and Essad Ribic’s take on this book and wish them the best of luck in the future.
Ultimate X-Men exceeds all expectations month after month. It is worth your money, your time, and that of all your friends and families. It has strong characters, sweeping plot lines, and generates a desire for more that I have not felt from a comic in years. The freedom that the Ultimate line gives to creative teams allows them to explore any territory they want free from continuity with the chance to make old characters new. Not since the classic Age Of Apocalypse storyline a few years back have I seen characters so heroic as the consequences of their lives and world are so much more real as they don’t have to worry as much about being around for the series five years from now. The characters are more accessible, more vulnerable, and ultimately more human.
p.s. Since no creative team was credited at any point in this issue I am hoping that it was the same from the previous issue. Please forgive any errors on my part if you weren’t mentioned.
{I may be nitpicking, but at least I’m bigger than you.}
ART:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xhalf.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
STORY:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
But this issue online now from X-World Comics (http://www.x-worldcomics.com/x/bstore/newbooksmain.html) and save!
Quick Rating: Great!
Story Title: Wild Card
The Ultimate version of Gambit concludes his explosive debut as the search for the young girl in his care comes to an end!
Written by: Chuck Austen
Art by: Essad Ribic
Inked by: Jason Gorder Livesay
Cover Art by: Adam Kubert
Lettered by: Sharpefront
Colored by: J.D. Smith
Assistant Editor: Pete Franco
Editor: Mark Powers
Editor-In-Chief: Joe Quesada
President: Bill Jemas
An incredible effort is made here by writer Chuck Austen and artist Essad Ribic to make this two-issue fill-in as memorable as anything that can be done by the regular creative team of Mark Millar and Adam Kubert. In fact, so strong was Austen’s offering for this series that Marvel editorial had a bit of a no-brainer choice for Joe Casey’s replacement on Uncanny X-Men come issue #410 and I must say that I agree. The writing is top-notch with all the characterizations, action, and emotions that X-Fans have come to expect from their favorite comic soap opera. If for some bizarre reason you happen to disagree, then at least the series is back on a regular publishing schedule which should please you.
Austen’s Gambit literally leaps off the page both in terms of characterization and future potential as his search for the young girl who fell under his care last issue comes to an explosive end. While last issue gave readers insight into Gambit’s character (including his caring nature, his mutant abilities, and how he earns his living) this issue was all about kicking butt and taking names. If it weren’t for how kind Gambit had been in the previous issue, I would be feeling a lot more wary as to his true nature and potential involvement in the book for future plotlines. The bulk of this issue sees Gambit moving from one level of scum to another in search of the elusive killer/corrupt cop, Hammerhead.
The only question I had in regards to this issue was that Gambit had little to no lead in beginning his search for the young girl. I suppose that living on the street one has more knowledge of lower-level thugs so in order to more enjoy this issue I’ll just assume that Gambit was really lucky. After breaking up the card game Gambit moves on to bigger fish, namely that of the long-time regular Marvel Universe Spider-Man foe, Silvermane (who to my knowledge had yet to appear in the Ultimate Universe. Leaving a scarred Silvermane and destroyed office in his wake, Gambit prepares for his final showdown.
I am often surprised by the brutal nature of Ultimate X-Men. Each issue leaves me breathless in terms of quality of writing and art, but also because of the events that transpire. Usually there are several events that leave me wide-eyed because of the level of violence that is used. It was my understanding that the Ultimate line was primarily introduced to try and gain a new readership and in particular from younger age groups. I’m not complaining about the level of violence used here as in the context of the story it seems necessary and is rarely gratuitous, but it still is surprising. Take the way Gambit and Hammerhead’s fight is resolved. Though some might feel necessary, dramatic, and exciting, I couldn’t help but feel a small amount of shock. If Gambit is willing to resort to this level of violence (and keep in mind he is only a teenager at this point in the series) it makes me wonder what future stories would necessitate him doing.
Great mystery moment of the issue: Hammerhead mentioning that Gambit was left alive because Silvermane owed a favour to Nathaniel Essex. For all the astute X-Fans out there, this is the real name of Mr. Sinister… long time X-Men villain and a teaser for an eventual appearance in the series. You’ve got to both love and hate Austen for teasing fans like that as Sinister won’t appear for a minimum of six months at the least. Oh well, if I have to wait ten months for The Lord Of The Rings: The Two Towers I guess I can wait six and hope for a Mr. Sinister appearance.
Bottom line (at least for Gambit) is that there is the life (or possible death) of a little girl on the line. Despite the fact that he has only known her for a day, Gambit seems to have a clear idea of what is right and wrong. Since the young girl (whose name is never revealed) is unable to defend herself, it falls on Gambit’s shoulders to try and protect her. Save her he does, but at a terrible cost to himself. Gambit is now in a really, really bad position. He has made enemies at ever level of crime in the city, he has killed a cop (corrupt though he may be), and caused untold amounts of damage to the places he visited. As much as he may want to, he can’t keep the girl with him.
Austen really pulls on the heartstrings on the last few pages of this issue. An incredibly beautiful and touching scene sees the young girl and Remy parting ways in such a way that makes one think of a fairytale. As Remy disappears into the night and the young girl left with those that might be able to give her a better life, he quells her fears that he does not care with a simple card trick that dissolves into a heart. Though this is likely the last time we will see Gambit in these pages for some time to come I think this issue makes a strong case for fans to start a campaign for his return.
A nice touch included in this issue by Austen was the appearance of Xavier and Storm as they attempt to bring Gambit into the X-Men fold. Misunderstanding their intentions due to the frequent harassment he has previously received by strangers he brushes them off. At least Xavier managed to give him his card…. here’s hoping Gambit reads the card rather than using it to blow something up. This scene rather nicely sets up the possibility for a return appearance of Gambit while conveniently not promising anything to eager readers. Also, given that the name of this book is Ultimate X-Men it’s nice to see the X-Men actually showing up… even if only for two pages.
The art in this issue was perfectly suited to the mood and characters. Ribic’s Gambit has the perfect blending of the grit of the street mixing with the traditional charm and style that we have come to know in the Marvel Universe version of Gambit. Ribic keeps the action flowing yet considerately keeps the often quite violent aspects light enough for younger readers to enjoy. His best scene of the issue comes at the end between Remy and the young girl as the stars, trees, and shadows all work wonderfully with Austen’s words to create one of the most touching moments of the entire series so far. The energy and emotion that all of Ribic’s characters display continues to impress me and I hope to see his work again in the near future.
For those foolish readers out there who chose to abandon the series for this arc I’m sorry to say that you’ve missed out on something quite special and unique. Though I am as eager as the next to get back to the stylings of Millar and Kubert, I will miss Chuck Austen and Essad Ribic’s take on this book and wish them the best of luck in the future.
Ultimate X-Men exceeds all expectations month after month. It is worth your money, your time, and that of all your friends and families. It has strong characters, sweeping plot lines, and generates a desire for more that I have not felt from a comic in years. The freedom that the Ultimate line gives to creative teams allows them to explore any territory they want free from continuity with the chance to make old characters new. Not since the classic Age Of Apocalypse storyline a few years back have I seen characters so heroic as the consequences of their lives and world are so much more real as they don’t have to worry as much about being around for the series five years from now. The characters are more accessible, more vulnerable, and ultimately more human.
p.s. Since no creative team was credited at any point in this issue I am hoping that it was the same from the previous issue. Please forgive any errors on my part if you weren’t mentioned.
{I may be nitpicking, but at least I’m bigger than you.}
ART:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xhalf.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
STORY:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
But this issue online now from X-World Comics (http://www.x-worldcomics.com/x/bstore/newbooksmain.html) and save!