Jim Lemoine
Sep 20, 2002, 12:31 am
<a href="http://x-mencomics.com/xfan/images/previews/0902/capt_marvel_1.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/previews/0902/capt_marvel_1t.jpg" align=left alt="Captain Marvel #1 preview"></a>Reviewer: Jim Lemoine, darkkelf@earthlink.net
Quick Rating: Excellent!
Story Title: Shards
Captain Marvel's cosmic awareness overwhelms him as he crosses the border into insanity!
Written by: Peter David
Pencilled by: ChrisCross
Lettered by: Comicraft's Albert!
Colored by: Chris Sotomayor
Assistant Editors: Marc Sumerak & Andy Schmidt
Editor: Tom Brevoort
Editor-in-Chief: Joe Quesada
President: Bill Jemas
Normally we here at X-Fan wouldn't review Marvel's non-mutant offerings, such as this month's Captain Marvel #1. On special occasions, though, we'll make an exception, and Marvel's U-Decide event is one such occasion. Billed publicly as the no-holds-barred "one shall stand, two shall fall" sales contest between Bill Jemas, Joe Quesada and Peter David, only one of the three U-Decide books will last beyond six issues. You've seen what we thought of Jemas' entry, Marville, and now, in the interest of equal space, here's an opinion on David's relaunched cosmic title. For your convenience, we present both a short version and a long version.
Short version: Captain Marvel continues the tradition of excellence from the original series, and is easily the best of the three U-Decide books, in this humble reviewer's opinion.
And now, the long version.
Beyond the obvious cheap marketability, it's hard to come up with a reason why this issue is a first, instead of just issue 36 of the former Captain Marvel title. Usually Marvel's relaunches are accompanied by new protagonists, new creative teams, or completely new directions. So far this issue appears to have none of those three, although judging by the new costume design and the mysterious ending, a new direction shouldn't be ruled out. Happily, though, Peter David and ChrisCross are still helming the title (and doing a great job of it), and they're still fleshing out the character of the son of Mar-Vell.
If this issue were wrapped in a Captain Marvel #36 cover, though, you'd get a feeling that several things were very different. On the art side, you'll immediately notice colorist Chris Sotomayor's new "painted pencil" technique. Similar to what's done monthly in X-Treme X-Men, Sotomayor's colors give the art an AlexRoss-style painted feel to them. While Sotomayor's effort isn't flawless on his debut attempt, the effect is still rather impressive. This issue is full of outer space/science fiction sequences, and Sotomayor's contributions there nicely bring out the ethereal beauty of space. They also work very well for battle scenes, although they seem somehow out of place in more mundane earthly settings.
ChrisCross's art itself is, as always, fantastic. Cross's mastery of facial expression is what's really made him the perfect match for David's scripts in the past, thanks to Cross's skill at drawing facial expressions that match the ludicrous situations that David's characters find themselves in. While Cross has a unique style of rendering action scenes that fits the cosmic Captain very well, its his portrayal of Genis himself that really stands out this issue. The captain's determination and concentration as he struggles to control his cosmic awareness is clear in every panel. Cross's examination of Mar-Vell's gradual descent into madness is particularly well done.
What really stands out as different, though, is the story. Gone are the lesbian-love-triangle plots of the last few issues (and if that doesn't get you fanboys out buying back-issues, I don't know what will), and gone are just about all references to Rick's life. For the last 35 issues of Captain Marvel, the book could have more accurately been titled, Captain Marvel and Rick Jones. The book hasn't truly been about Genis more than Rick; they've both shared space, so to speak. This issue, on the other hand, eliminates all discussion and intrigue regarding Rick's long history: this is a Captain Marvel story. Rick's only along to give us a window into Mar-Vell's adventures, and he does so through some remarkably well-written captions.
Peter David is without a doubt a comic writer like no other. It's amazing the deep philosophy you can find snuggled within the descriptive panels of this issue. I once asked a friend why he thought this title sold relatively poorly, even though critics love it; he easily replied, "Because most people just won't get it. It's too intellectual." Well, maybe. Regardless, Rick shows us his view on the Middle East, the nature of God, and insanity, all in this one issue. And the stuff is priceless.
The story itself remains compelling as well, although different from what we've come to expect from a Captain Marvel story. There are no references to either of our leads' long and twisted histories, and there are no appearances by Marvel's cosmic chums like Moondragon or Drax. More surprising, though, the story is told almost completely through the use of Rick's captions: there is virtually no dialog. Normally I wouldn't appreciate a comic style like this, but in the case of this issue, where the theme is a character's gradual fall to insanity, the style works perfectly. We know right from the beginning of the issue what's going to happen at the end, and David does a wonderful job of using Rick's fearful thoughts to build suspense into a climax.
So, you decide: in Captain Marvel #1, you get one of mainstream Marvel's most consistently interesting characters, Marvel's most unique writer, modern philosophy, space opera, a powerful statement on the Middle East, the art of ChrisCross, and beautiful painted coloring. It's a no-brainer, folks. If you're one of the multitudes who's always heard about how good Captain Marvel was, but you couldn't find a starting point, this is it.
Buy it. Try it. You'll be blown away by how good this book is.
ART:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
STORY:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
Buy this issue online now from X-World Comics and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=65&cat=CAPTAIN+MARVEL)
Quick Rating: Excellent!
Story Title: Shards
Captain Marvel's cosmic awareness overwhelms him as he crosses the border into insanity!
Written by: Peter David
Pencilled by: ChrisCross
Lettered by: Comicraft's Albert!
Colored by: Chris Sotomayor
Assistant Editors: Marc Sumerak & Andy Schmidt
Editor: Tom Brevoort
Editor-in-Chief: Joe Quesada
President: Bill Jemas
Normally we here at X-Fan wouldn't review Marvel's non-mutant offerings, such as this month's Captain Marvel #1. On special occasions, though, we'll make an exception, and Marvel's U-Decide event is one such occasion. Billed publicly as the no-holds-barred "one shall stand, two shall fall" sales contest between Bill Jemas, Joe Quesada and Peter David, only one of the three U-Decide books will last beyond six issues. You've seen what we thought of Jemas' entry, Marville, and now, in the interest of equal space, here's an opinion on David's relaunched cosmic title. For your convenience, we present both a short version and a long version.
Short version: Captain Marvel continues the tradition of excellence from the original series, and is easily the best of the three U-Decide books, in this humble reviewer's opinion.
And now, the long version.
Beyond the obvious cheap marketability, it's hard to come up with a reason why this issue is a first, instead of just issue 36 of the former Captain Marvel title. Usually Marvel's relaunches are accompanied by new protagonists, new creative teams, or completely new directions. So far this issue appears to have none of those three, although judging by the new costume design and the mysterious ending, a new direction shouldn't be ruled out. Happily, though, Peter David and ChrisCross are still helming the title (and doing a great job of it), and they're still fleshing out the character of the son of Mar-Vell.
If this issue were wrapped in a Captain Marvel #36 cover, though, you'd get a feeling that several things were very different. On the art side, you'll immediately notice colorist Chris Sotomayor's new "painted pencil" technique. Similar to what's done monthly in X-Treme X-Men, Sotomayor's colors give the art an AlexRoss-style painted feel to them. While Sotomayor's effort isn't flawless on his debut attempt, the effect is still rather impressive. This issue is full of outer space/science fiction sequences, and Sotomayor's contributions there nicely bring out the ethereal beauty of space. They also work very well for battle scenes, although they seem somehow out of place in more mundane earthly settings.
ChrisCross's art itself is, as always, fantastic. Cross's mastery of facial expression is what's really made him the perfect match for David's scripts in the past, thanks to Cross's skill at drawing facial expressions that match the ludicrous situations that David's characters find themselves in. While Cross has a unique style of rendering action scenes that fits the cosmic Captain very well, its his portrayal of Genis himself that really stands out this issue. The captain's determination and concentration as he struggles to control his cosmic awareness is clear in every panel. Cross's examination of Mar-Vell's gradual descent into madness is particularly well done.
What really stands out as different, though, is the story. Gone are the lesbian-love-triangle plots of the last few issues (and if that doesn't get you fanboys out buying back-issues, I don't know what will), and gone are just about all references to Rick's life. For the last 35 issues of Captain Marvel, the book could have more accurately been titled, Captain Marvel and Rick Jones. The book hasn't truly been about Genis more than Rick; they've both shared space, so to speak. This issue, on the other hand, eliminates all discussion and intrigue regarding Rick's long history: this is a Captain Marvel story. Rick's only along to give us a window into Mar-Vell's adventures, and he does so through some remarkably well-written captions.
Peter David is without a doubt a comic writer like no other. It's amazing the deep philosophy you can find snuggled within the descriptive panels of this issue. I once asked a friend why he thought this title sold relatively poorly, even though critics love it; he easily replied, "Because most people just won't get it. It's too intellectual." Well, maybe. Regardless, Rick shows us his view on the Middle East, the nature of God, and insanity, all in this one issue. And the stuff is priceless.
The story itself remains compelling as well, although different from what we've come to expect from a Captain Marvel story. There are no references to either of our leads' long and twisted histories, and there are no appearances by Marvel's cosmic chums like Moondragon or Drax. More surprising, though, the story is told almost completely through the use of Rick's captions: there is virtually no dialog. Normally I wouldn't appreciate a comic style like this, but in the case of this issue, where the theme is a character's gradual fall to insanity, the style works perfectly. We know right from the beginning of the issue what's going to happen at the end, and David does a wonderful job of using Rick's fearful thoughts to build suspense into a climax.
So, you decide: in Captain Marvel #1, you get one of mainstream Marvel's most consistently interesting characters, Marvel's most unique writer, modern philosophy, space opera, a powerful statement on the Middle East, the art of ChrisCross, and beautiful painted coloring. It's a no-brainer, folks. If you're one of the multitudes who's always heard about how good Captain Marvel was, but you couldn't find a starting point, this is it.
Buy it. Try it. You'll be blown away by how good this book is.
ART:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
STORY:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
Buy this issue online now from X-World Comics and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=65&cat=CAPTAIN+MARVEL)