Dave Harris
Jan 11, 2003, 05:22 am
<a href="http://x-mencomics.com/xfan/images/covers/ultwar2.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/covers/ultwar2t.jpg" align=left alt="Ultimate War #2"></a>Reviewer: David Harris, HeroComplex00@hotmail.com
Quick Rating: Great!
Story Title: Ultimates vs. Ultimate X-Men
The clash of titans continues!
Written by: Mark Millar
Penciled by: Chris Bachalo
Inked by: Tim Townsend & Andy Owens
Lettered by: Chris Eliopoulos
Colored by: Paul Mounts
Associate Editors: C.B. Cebulski & Brian Smith
Editor: Ralph Macchio
Editor-in-Chief: Joe Quesada
President: Bill Jemas
The Ultimate line as a whole has been gaining steam in recent months. While titles such as Ultimate Daredevil and Elektra are being added to the Ultimate roster to feature more characters, there are also events such as Ultimate War, focusing on and combining to of the existing Ultimate teams. #1 featured only the Ultimates, but this issue brings the X-Men back into the story, albeit not for the issue’s duration. Having Mark Millar, who is responsible for these characters on a monthly basis, as writer for Ultimate War ensures that the story stays close to the intent of the line as a whole, and that the characters remain true to their prior characterization, overall making the series an excellent read, though with drawbacks. As to the particulars---
The quick pace and suspense that ended last issue is lacking at the start of this issue , and in general the opening isn’t as impressive as #1’s was. It was a great conversation and a very fun scene, one of my favorite parts of the issue, in fact, but I don’t think it warranted being the book’s starter. It’s place is somewhere in the middle for a mix of a little comic relief and a good bit of plot furtherance. It works decently as exposition, but surely something else would fit that better. That’s one of the flaws of this issue, actually: it’s somewhat jumbled.
The issues of timing have begun taking their toll on this series, I believe, as Millar is walking a very fine line with continuity, despite the Ultimate line’s claim to have none. The Ultimates is on hiatus, and so the characters we see can be see as frozen from the moment that Ultimates #7 ended, which is a mixed blessing. On the one hand, Ultimate War can have a set time within the two series so that the characters are not appearing in multiple books at once and contradicting themselves. However, Ultimates #7 had something of a cliffhanger ending, or if not a cliffhanger then surely it wasn’t the end of a storyline. The characters in Ultimate War are either taken from the middle of the search for Giant-Man or from some point in time to which the readers aren’t privy. Ultimate X-Men, on the other hand, creatively avoided that conflict by releasing a flashback-centric issue last month. As Ultimate War was meant to begin directly following the events of Ultimate X-Men #25, it seems that Millar plans to show us nothing until the war is over, as opposed to the potential blunder of shattering the War’s suspense with details of the conclusion months in advance. Despite that, current issues are coming out, and taking place in the present, so readers can only wait and see.
And regarding those 2 titles, Millar has done what he can to keep all three books continuous, in that none of them falsify the others. However, certain things always slip through. Ultimate X-Men #26, out last month, showed Charles leaving Moira in a great fit of apathy towards her emotions. But here the readers see a spiteful Charles, throwing their divorce back at her, which also seems to go somewhat against the relationship seen when the X-Men dealt with Proteus. And, though this is more an issue of art than of characterization, Kitty springs to mind as an example of an extreme break between the series. Whoever was drawn for all of three panels in Ultimate War #2 was not the same character being drawn in all of Ultimate X-Men. And this can’t a case of dissimilarities of style overriding the intent---it’s just a completely different character, with hardly anything in common with Shadowcat aside from gender.
A fault with having so many Ultimate titles, in addition to minor, forgivable mistakes of art, is that the Ultimate line threatens to go the same way as normal Marvel continuity has: there will be too many mutants for them to be considered a minority. Already the first scene has set up that, with the X-Men and the Brotherhood members taken into account, there are a fair amount of psychics. It is supposed to be rare to be “super,” but now every team is expected to have their own, and they seem to be everywhere. The Brotherhood has an abundant number of hideouts, implying that mutants have progressed to a regularity; instead of evolutionary oddities, mutantkind has apparently reached populous levels despite only recently appearing on the scene.
The art for this title, and all of the Ultimate, really, is dark. But the art is adaptable as well, as is evidenced by the first scene; things can be light. The strengths truly shine through in the Ultimates Headquarters, however, as a few very minor things become the focal points of the story. Lighting is adeptly handled to help the atmosphere, setting the mood for Scarlet Witch and Quicksilver’s terror, although to a degree it becomes single-toned. Magneto’s depiction, both in art and writing, most definitely proves the point that he is a deadly force in the world, and the end of this crossover will certainly be something to remember.
ART:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
STORY:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
Buy this issue online now from X-World Comics (http://www.x-worldcomics.com/yourvirtualstore) and save!
Quick Rating: Great!
Story Title: Ultimates vs. Ultimate X-Men
The clash of titans continues!
Written by: Mark Millar
Penciled by: Chris Bachalo
Inked by: Tim Townsend & Andy Owens
Lettered by: Chris Eliopoulos
Colored by: Paul Mounts
Associate Editors: C.B. Cebulski & Brian Smith
Editor: Ralph Macchio
Editor-in-Chief: Joe Quesada
President: Bill Jemas
The Ultimate line as a whole has been gaining steam in recent months. While titles such as Ultimate Daredevil and Elektra are being added to the Ultimate roster to feature more characters, there are also events such as Ultimate War, focusing on and combining to of the existing Ultimate teams. #1 featured only the Ultimates, but this issue brings the X-Men back into the story, albeit not for the issue’s duration. Having Mark Millar, who is responsible for these characters on a monthly basis, as writer for Ultimate War ensures that the story stays close to the intent of the line as a whole, and that the characters remain true to their prior characterization, overall making the series an excellent read, though with drawbacks. As to the particulars---
The quick pace and suspense that ended last issue is lacking at the start of this issue , and in general the opening isn’t as impressive as #1’s was. It was a great conversation and a very fun scene, one of my favorite parts of the issue, in fact, but I don’t think it warranted being the book’s starter. It’s place is somewhere in the middle for a mix of a little comic relief and a good bit of plot furtherance. It works decently as exposition, but surely something else would fit that better. That’s one of the flaws of this issue, actually: it’s somewhat jumbled.
The issues of timing have begun taking their toll on this series, I believe, as Millar is walking a very fine line with continuity, despite the Ultimate line’s claim to have none. The Ultimates is on hiatus, and so the characters we see can be see as frozen from the moment that Ultimates #7 ended, which is a mixed blessing. On the one hand, Ultimate War can have a set time within the two series so that the characters are not appearing in multiple books at once and contradicting themselves. However, Ultimates #7 had something of a cliffhanger ending, or if not a cliffhanger then surely it wasn’t the end of a storyline. The characters in Ultimate War are either taken from the middle of the search for Giant-Man or from some point in time to which the readers aren’t privy. Ultimate X-Men, on the other hand, creatively avoided that conflict by releasing a flashback-centric issue last month. As Ultimate War was meant to begin directly following the events of Ultimate X-Men #25, it seems that Millar plans to show us nothing until the war is over, as opposed to the potential blunder of shattering the War’s suspense with details of the conclusion months in advance. Despite that, current issues are coming out, and taking place in the present, so readers can only wait and see.
And regarding those 2 titles, Millar has done what he can to keep all three books continuous, in that none of them falsify the others. However, certain things always slip through. Ultimate X-Men #26, out last month, showed Charles leaving Moira in a great fit of apathy towards her emotions. But here the readers see a spiteful Charles, throwing their divorce back at her, which also seems to go somewhat against the relationship seen when the X-Men dealt with Proteus. And, though this is more an issue of art than of characterization, Kitty springs to mind as an example of an extreme break between the series. Whoever was drawn for all of three panels in Ultimate War #2 was not the same character being drawn in all of Ultimate X-Men. And this can’t a case of dissimilarities of style overriding the intent---it’s just a completely different character, with hardly anything in common with Shadowcat aside from gender.
A fault with having so many Ultimate titles, in addition to minor, forgivable mistakes of art, is that the Ultimate line threatens to go the same way as normal Marvel continuity has: there will be too many mutants for them to be considered a minority. Already the first scene has set up that, with the X-Men and the Brotherhood members taken into account, there are a fair amount of psychics. It is supposed to be rare to be “super,” but now every team is expected to have their own, and they seem to be everywhere. The Brotherhood has an abundant number of hideouts, implying that mutants have progressed to a regularity; instead of evolutionary oddities, mutantkind has apparently reached populous levels despite only recently appearing on the scene.
The art for this title, and all of the Ultimate, really, is dark. But the art is adaptable as well, as is evidenced by the first scene; things can be light. The strengths truly shine through in the Ultimates Headquarters, however, as a few very minor things become the focal points of the story. Lighting is adeptly handled to help the atmosphere, setting the mood for Scarlet Witch and Quicksilver’s terror, although to a degree it becomes single-toned. Magneto’s depiction, both in art and writing, most definitely proves the point that he is a deadly force in the world, and the end of this crossover will certainly be something to remember.
ART:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
STORY:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
Buy this issue online now from X-World Comics (http://www.x-worldcomics.com/yourvirtualstore) and save!