Brian Wilkinson
Jun 4, 2003, 08:30 pm
<a href="http://x-mencomics.com/xfan/images/covers/ultimates10.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/covers/ultimates10t.jpg" align=left alt="The Ultimates #10"></a>Reviewer: Brian E. Wilkinson, bewilkinson@xfan.cjb.net
Quick Rating: Great!
Story Title: Devil In Disguise
The Ultimates crash an island party, only to find out that someone has left them a nasty surprise.
Written by: Mark Millar
Pencilled by: Bryan Hitch
Inked by: Paul Neary
Colors by: Paul Mounts
Letters by: Chris Eliopoulos
Assistant Editor: Nike Lowe
Associate Editor: C.B. Cebulski
Editor: Ralph Macchio
Editor In Chief: Joe Quesada
President: Bill Jemas
Well, I continue to be disgusted at how good this book looks. Really, not only is this book a visual feast thanks to artist Bryan Hitch, but it's SO good that it ruins just about every other comic book on the market.
And no one is more surprised than I am.
The first time I was exposed to Bryan Hitch was years ago with X-Men: Prime which came out right after the whole 'Age of Apocalypse' story line. I didn't really like the art, though I thought it was fairly well done. Just chalk it up to a difference of tastes, I suppose. So when I heard The Ultimates was going to be drawn by him, I was distinctly underwhelmed.
Really, I only picked up the book because writer Mark Millar had come out of nowhere and blown me away in the pages of Ultimate X-Men. I figured, as many Marvel zombies do, that I might as well pick up issue #1. After all, I was becoming a massive Ultimate Spider-Man fan (a book, I maintain, is one of Marvel's strongest titles ever), was already knee deep in Ultimate X-Men, so it really wasn't a stretch that I should try this title as well.
The first issue was okay. Not great, but okay. The art was STUNNING, the writing good, but I was left a little cold as to what the series was going to be about.
Now we're at issue #10 and I am firmly in fanboy heaven. Wow. That's all I can say about this issue, and this series.
Though as the regular reviewer, Anthony Zisa, points out in his reviews of this series, it really works best when collected in Trade Paperback format. Not that each issue isn't a work of art on its own, but due to how long it takes Hitch to produce an issue (at least two or three months per issue), it may be much harder for fans to get into this series. That's not saying I want a fill-in artist, because, really, anyone who tries to even come near this book is just asking for an ear-full from a very pleased audience.
But it's too bad that it's been almost a year since the last trade came out. Only four issues have been released in the time since then, and though each issue is a treat, it's a bit bitter given how long we have to wait.
That being said, this issue was pretty darn cool. I'm used to Mark Millar's quick witted and political heavy scripts, but Bryan Hitch's pencils demand to be shown to others. Every time I buy this book, I show it to my girlfriend, friends, and others and ask them 'can you believe he actually took the time to draw all of THAT?'
Really, it's just impressive. Or insane, depending on how you look at this sort of thing.
The issue opens up with a very detailed but slightly uninteresting flashback. We're introduced, though we don't realize it, to the main villain of the arc and a very James Bond-ish moment of spy tactics used by Captain America to blow up a train. Fast forward almost fifty years later and once again Captain America is going up against an alien race that is threatening the peace of the world.
Mark Millar brilliantly sets up these creatures as a long-standing threat to the world, but brilliantly covered up by government agencies. Some of the cast are thunderstruck at this revelation (especially Tony Stark) and it makes for a more believable and enjoyable story.
The Ultimates are underway to a remote island to take the buggers out once and for all, but it seems as though things aren't going as smoothly as they could have hoped.
The real highlight of this book is seeing the Wasp back in action after the events with her husband left her hospitalized. She's alone in the Triskelion fighting against an alien force, and all on her own to boot. The action is tight, and explosive, with smart dialogue and actions pacing the entire scene. The whole thing feels like a summer action flick with brains (ala The Matrix) rather than just a cheap adrenaline rush (ala The Matrix Reloaded).
Once again, Mark Millar's penchant for the dramatic comes into effect as the rest of the Ultimates find out that things aren't going well at home, and that they have just walked into a trap. They don't have much time to really think about it, though, as the island detonates in a nuclear flash.
Which leaves me to ask: what's with Millar and nuclear explosions lately? Wasn't the one in Ultimate X-Men recently enough? Pretty soon, if we leave this guy writing comic books, there won't be any writers following him as he'll leave the entire world in ashes.
But in the meantime, it makes for a cool story. Of course the team will find a way to survive, but seeing multiple ships, people, and buildings destroyed makes the wait for the next chapter a true exercise in patience.
The villain introduced in the beginning of the story makes a reappearance at the end of the issue. At first, I wasn't sure who this was. I wondered if this was a new villain, just a random guy, or if I'd missed something. It wasn't until a second pass through that I realized it was the guy from the train. There hasn't been much done with him yet, but I get the feeling that he has enough potential to be a real threat to the team. I'm looking forward to seeing more of him.
As I said before, no one can really complain about Hitch given the incredible effort he puts forth with every issue. And unlike other comic writers that give artists splash pages (I'm thinking of a recent issue of Uncanny X-Men), Hitch knows what to do with them, and they surprisingly move along the plot and increase enjoyment, rather than leaving fans the feeling that they've been shortchanged a page of story time.
All in all, this book is too good to miss. Better collected in trade format, but definitely worth the ages-long wait that Millar and Hitch unfortunately must put us through.
Make sure you pick it up today!
ART:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpg
STORY:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
Quick Rating: Great!
Story Title: Devil In Disguise
The Ultimates crash an island party, only to find out that someone has left them a nasty surprise.
Written by: Mark Millar
Pencilled by: Bryan Hitch
Inked by: Paul Neary
Colors by: Paul Mounts
Letters by: Chris Eliopoulos
Assistant Editor: Nike Lowe
Associate Editor: C.B. Cebulski
Editor: Ralph Macchio
Editor In Chief: Joe Quesada
President: Bill Jemas
Well, I continue to be disgusted at how good this book looks. Really, not only is this book a visual feast thanks to artist Bryan Hitch, but it's SO good that it ruins just about every other comic book on the market.
And no one is more surprised than I am.
The first time I was exposed to Bryan Hitch was years ago with X-Men: Prime which came out right after the whole 'Age of Apocalypse' story line. I didn't really like the art, though I thought it was fairly well done. Just chalk it up to a difference of tastes, I suppose. So when I heard The Ultimates was going to be drawn by him, I was distinctly underwhelmed.
Really, I only picked up the book because writer Mark Millar had come out of nowhere and blown me away in the pages of Ultimate X-Men. I figured, as many Marvel zombies do, that I might as well pick up issue #1. After all, I was becoming a massive Ultimate Spider-Man fan (a book, I maintain, is one of Marvel's strongest titles ever), was already knee deep in Ultimate X-Men, so it really wasn't a stretch that I should try this title as well.
The first issue was okay. Not great, but okay. The art was STUNNING, the writing good, but I was left a little cold as to what the series was going to be about.
Now we're at issue #10 and I am firmly in fanboy heaven. Wow. That's all I can say about this issue, and this series.
Though as the regular reviewer, Anthony Zisa, points out in his reviews of this series, it really works best when collected in Trade Paperback format. Not that each issue isn't a work of art on its own, but due to how long it takes Hitch to produce an issue (at least two or three months per issue), it may be much harder for fans to get into this series. That's not saying I want a fill-in artist, because, really, anyone who tries to even come near this book is just asking for an ear-full from a very pleased audience.
But it's too bad that it's been almost a year since the last trade came out. Only four issues have been released in the time since then, and though each issue is a treat, it's a bit bitter given how long we have to wait.
That being said, this issue was pretty darn cool. I'm used to Mark Millar's quick witted and political heavy scripts, but Bryan Hitch's pencils demand to be shown to others. Every time I buy this book, I show it to my girlfriend, friends, and others and ask them 'can you believe he actually took the time to draw all of THAT?'
Really, it's just impressive. Or insane, depending on how you look at this sort of thing.
The issue opens up with a very detailed but slightly uninteresting flashback. We're introduced, though we don't realize it, to the main villain of the arc and a very James Bond-ish moment of spy tactics used by Captain America to blow up a train. Fast forward almost fifty years later and once again Captain America is going up against an alien race that is threatening the peace of the world.
Mark Millar brilliantly sets up these creatures as a long-standing threat to the world, but brilliantly covered up by government agencies. Some of the cast are thunderstruck at this revelation (especially Tony Stark) and it makes for a more believable and enjoyable story.
The Ultimates are underway to a remote island to take the buggers out once and for all, but it seems as though things aren't going as smoothly as they could have hoped.
The real highlight of this book is seeing the Wasp back in action after the events with her husband left her hospitalized. She's alone in the Triskelion fighting against an alien force, and all on her own to boot. The action is tight, and explosive, with smart dialogue and actions pacing the entire scene. The whole thing feels like a summer action flick with brains (ala The Matrix) rather than just a cheap adrenaline rush (ala The Matrix Reloaded).
Once again, Mark Millar's penchant for the dramatic comes into effect as the rest of the Ultimates find out that things aren't going well at home, and that they have just walked into a trap. They don't have much time to really think about it, though, as the island detonates in a nuclear flash.
Which leaves me to ask: what's with Millar and nuclear explosions lately? Wasn't the one in Ultimate X-Men recently enough? Pretty soon, if we leave this guy writing comic books, there won't be any writers following him as he'll leave the entire world in ashes.
But in the meantime, it makes for a cool story. Of course the team will find a way to survive, but seeing multiple ships, people, and buildings destroyed makes the wait for the next chapter a true exercise in patience.
The villain introduced in the beginning of the story makes a reappearance at the end of the issue. At first, I wasn't sure who this was. I wondered if this was a new villain, just a random guy, or if I'd missed something. It wasn't until a second pass through that I realized it was the guy from the train. There hasn't been much done with him yet, but I get the feeling that he has enough potential to be a real threat to the team. I'm looking forward to seeing more of him.
As I said before, no one can really complain about Hitch given the incredible effort he puts forth with every issue. And unlike other comic writers that give artists splash pages (I'm thinking of a recent issue of Uncanny X-Men), Hitch knows what to do with them, and they surprisingly move along the plot and increase enjoyment, rather than leaving fans the feeling that they've been shortchanged a page of story time.
All in all, this book is too good to miss. Better collected in trade format, but definitely worth the ages-long wait that Millar and Hitch unfortunately must put us through.
Make sure you pick it up today!
ART:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpg
STORY:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxfull.jpghttp://x-mencomics.com/xfan/images/reviews/ulxnone.jpg