David Santee
Mar 13, 2004, 05:02 am
<a href="http://x-mencomics.com/xfan/images/covers/ultspiderman54.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/covers/ultspiderman54t.jpg" align=left alt="Ultimate Spider-Man #54"></a>Reviewer: David Santee, davesantee@hotmail.com
Quick Rating: Great
Story Title: Hollywood: Part 1
Spider-Man and Doc Ock face the evil of the movie making process.
Written by: Brian Michael Bendis
Penciled by: Mark Bagley
Inked by: Art Thibert
Colors by: J. D. Smith
Letters by: Chris Eliopoulos
Assistant Editor: Nick Lowe
Editor: Ralph Macchio
Editor In Chief: Joe Quesada
Publisher: Dan Buckley
As we approach the release of Spider-Man 2, Marvel is starting the hype machine. Ultimate Spider-Man, being a cog in that machine, does it’s part by having the ultimate version of Spider-Man deal with the effects of Hollywood making a Spider-Man movie.
Tobey Maguire, Sam Raimi and Avi Arad all make cameos in this issue, with most of the screen time going to Arad. I certainly don’t know what Mr. Arad is like in life, but his comic-book version appears to be the stereotypical movie producer: somewhat arrogant, egotistical, and ready to do anything to get his movie made as cheap as he can, even if it hurts people. Not exactly the way you want to portray a power at Marvel, but at least Bendis went ahead and gave Arad an Oscar. Perhaps that is all Bedis needed to do to keep Arad happy with his appearance in this book. Unlike the somewhat clumsy use of real people (if you can call Freddy Prince Jr. a real person) in the Ultimates, these cameos help propel the story forward, and feel quite natural.
Bendis continues to amaze me with his abilities to handle these characters. The opening scene we are given a treat of a Buffy-esque conversation between Aunt May, Pete and Gwen Stacy. This scene works on so many levels. It funny yet we get to see how Gwen if fitting into Pete’s family. She is taking on the role of a sister. It’s a totally different direction from Gwen’s role in the Marvel Universe, and I’m really enjoying it. Heck, if Pete and Gwen ever do get together, after this issue, it would just be creepy.
Then there is Doc Ock. The regular Marvel Universe version never really appealed to me, but the Ultimate version has me in goose-bumps. The only time I’ve read a more compelling book with a psychotic villain was in Batman: The Killing Joke. Note To Sony and Sam Raimi: have Alfred Molina (http://spiderman.sonypictures.com/movie/cast_crew/molina.php) do the breakout scene in #54, and I’ll see Spider-Man 2 a billion times in the theater and buy any and all versions of the DVD. O.K., yeah, I know it’s too late for it to be a part of this movie, but how great an opening scene would that be for Spider-Man 3? That’s right Sony, you want another billion dollar hit? Sign Bendis for the script.
I know I am going to get another buch of “Bagley deserves 5 stars” post, but let me forestall them by explaining my reasoning why this issue only got four and a half. This is by far one of his best works to date. Bagley handles the real-life cameo’s well. All the cameos are instantly recognizable. Doc Ock’s breakout from prison is just incredible, but it was the quiet moments that really made this book. The way Bagley handles the emotions in the opening scene was pure genius. You don’t even need the words to understand the relationship that is building between Pete, Gwen and May. But, while this book is one of the best of the year, I have seen better than this and as long as I have, I just can’t give it five stars. If anybody can get me to give out a perfect score, it will be Bagley and the rest of the art crew on this book. Besides, it’s early in the arc. If I gave this five, where would I go to describe the conclusion?
Overall, another satisfying issues from Bendis and Bagley. If the rest of the arc continues to be this entertaining, then by the end I’ll be quite ready to queue up and pay to see the movie , even if it doesn’t include Bendis and Bagley in the credits.
ART:
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STORY:
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OVERALL:
http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spinone.jpg
Buy this issue online now from X-WORLD and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=77&cat=ULTIMATE+SPIDER%2DMAN)
Quick Rating: Great
Story Title: Hollywood: Part 1
Spider-Man and Doc Ock face the evil of the movie making process.
Written by: Brian Michael Bendis
Penciled by: Mark Bagley
Inked by: Art Thibert
Colors by: J. D. Smith
Letters by: Chris Eliopoulos
Assistant Editor: Nick Lowe
Editor: Ralph Macchio
Editor In Chief: Joe Quesada
Publisher: Dan Buckley
As we approach the release of Spider-Man 2, Marvel is starting the hype machine. Ultimate Spider-Man, being a cog in that machine, does it’s part by having the ultimate version of Spider-Man deal with the effects of Hollywood making a Spider-Man movie.
Tobey Maguire, Sam Raimi and Avi Arad all make cameos in this issue, with most of the screen time going to Arad. I certainly don’t know what Mr. Arad is like in life, but his comic-book version appears to be the stereotypical movie producer: somewhat arrogant, egotistical, and ready to do anything to get his movie made as cheap as he can, even if it hurts people. Not exactly the way you want to portray a power at Marvel, but at least Bendis went ahead and gave Arad an Oscar. Perhaps that is all Bedis needed to do to keep Arad happy with his appearance in this book. Unlike the somewhat clumsy use of real people (if you can call Freddy Prince Jr. a real person) in the Ultimates, these cameos help propel the story forward, and feel quite natural.
Bendis continues to amaze me with his abilities to handle these characters. The opening scene we are given a treat of a Buffy-esque conversation between Aunt May, Pete and Gwen Stacy. This scene works on so many levels. It funny yet we get to see how Gwen if fitting into Pete’s family. She is taking on the role of a sister. It’s a totally different direction from Gwen’s role in the Marvel Universe, and I’m really enjoying it. Heck, if Pete and Gwen ever do get together, after this issue, it would just be creepy.
Then there is Doc Ock. The regular Marvel Universe version never really appealed to me, but the Ultimate version has me in goose-bumps. The only time I’ve read a more compelling book with a psychotic villain was in Batman: The Killing Joke. Note To Sony and Sam Raimi: have Alfred Molina (http://spiderman.sonypictures.com/movie/cast_crew/molina.php) do the breakout scene in #54, and I’ll see Spider-Man 2 a billion times in the theater and buy any and all versions of the DVD. O.K., yeah, I know it’s too late for it to be a part of this movie, but how great an opening scene would that be for Spider-Man 3? That’s right Sony, you want another billion dollar hit? Sign Bendis for the script.
I know I am going to get another buch of “Bagley deserves 5 stars” post, but let me forestall them by explaining my reasoning why this issue only got four and a half. This is by far one of his best works to date. Bagley handles the real-life cameo’s well. All the cameos are instantly recognizable. Doc Ock’s breakout from prison is just incredible, but it was the quiet moments that really made this book. The way Bagley handles the emotions in the opening scene was pure genius. You don’t even need the words to understand the relationship that is building between Pete, Gwen and May. But, while this book is one of the best of the year, I have seen better than this and as long as I have, I just can’t give it five stars. If anybody can get me to give out a perfect score, it will be Bagley and the rest of the art crew on this book. Besides, it’s early in the arc. If I gave this five, where would I go to describe the conclusion?
Overall, another satisfying issues from Bendis and Bagley. If the rest of the arc continues to be this entertaining, then by the end I’ll be quite ready to queue up and pay to see the movie , even if it doesn’t include Bendis and Bagley in the credits.
ART:
http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spihalf.jpg
STORY:
http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spinone.jpg
OVERALL:
http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spifull.jpg http://x-mencomics.com/xfan/images/reviews/spinone.jpg
Buy this issue online now from X-WORLD and save! (http://x-worldcomics.com/yourvirtualstore/shopdisplayproducts.asp?id=77&cat=ULTIMATE+SPIDER%2DMAN)