Brandon Yates
Apr 14, 2002, 04:31 pm
<a href="http://x-mencomics.com/xfan/images/covers/cable-104.jpg" target="_blank"><img src="http://x-mencomics.com/xfan/images/covers/cable-104t.jpg" align=left alt="Cable #104"></a><b>Reviewer:</b> Brandon Yates, brandonyates@zentertainment.com
<b>Quick Rating:</b> Excellent!
<b>Story Title:</b> How Many Albanians Does It Take To Screw In A Lightbulb? (Conclusion)
It's the Clone Wars all over again, as Cable ventures to put an end to the ethnic Albanians clone-factory once and for all.
<b>Written by:</b> Igor Kordey, w/ David Tischman
<b>Art by:</b> Igor Kordey
<b>Lettered:</b> Randy Gentile
<b>Colored by:</b> Avalon Studios' Arsia Rozegar
<b>Assistant Editor:</b> Lynne Yoshii
<b>Editor:</b> Andrew Lis
<b>Editor In Chief:</b> Joe Quesada
<b>President:</b> Bill Jemas
In my review for <b><i>Cable #103</i></b> I predicted "Chow-Yun Fat style theatrics" for this issue, the conclusion to the "How Many Albanians..." storyline. Turns out I was dead wrong, as the violence was in no way glamorous or gratuitous, with Cable barely participating in it besides his... self-destructive actions in the end.
As my Quick Rating indicated, I thought this was an excellent issue, all in all, but I have to criticize the use September 11th news coverage as a backdrop to Goldberg's (evil mercenary mastermind's) speech about "acceptable loss." It's not that I have a problem with 9/11 imagery in comics - I have no problem at all if it's done with respect to the ensuing storyline, but it seemed awfully abitrary here. I'm not sure what it had to do with what Goldberg was talking about. As alternating panels switched back and forth between Goldberg's dialogue and a television commercial for a certain news station's commemorative War Special, I wasn't sure I could find the correlation (outside of the word "war").
Outside of that, I was very impressed with Tischman's final issue of <i><b>Cable</i></b>, though I have to wonder exactly how much influence he had since the credits list "Igor Kordey w/ David Tischman" as the story writers but doesn't list a separate scripting credit for Tischman. I'd like to know how much of this story was Kordey's doing as well, so I can pass the praise where it's due.
After the awkward opening scene with Goldberg, we find Viktoria (Cable's Serbian ally) on the run from a horde of blonde clones (Spider-Man readers should be familiar with those kinds) who are on the verge of madness, as their cellular degradation progresses. The main difficulty with these clones is that they slowly begin to remember everything about the life of their "original self" including the moments leading to his death. If you remembered dying, how would that bode for your mental stabilitiy? Good question. This story arc provided a thoughful answer.
Cable is, once again, deprived of much "screen time," and I'm beginning to get a little turned off by Cable's basic function in this book - to kick people in the ribs and blow stuff up. He's little more than a terrorist in his own book, and I wish Tischman followed through with some of the Askani-aspects he used in the title's "Shining Path" storyline. The real reason I want to see Cable has little to do with my liking the character (up until now, I didn't) but more to do with wanting to see more of Tischman's excellent characterizations and Kordey's captivating illustrations of the one-man-army's subtle moments and bombastic actions.
I will admit, though, that Cable's dimished presence did not adversly affect this conclusion which was told in an engaging fashion, with little questions posed here and there in captions ("If you were a clone who remembered being dead why would you mind dying again?") and a big-scale war between the Serbs and the ethnic Albanians deranged clone army.
Kordey's artwork this issue is great as usual. The Ana-clone/Gani scene is a personal favorite, seeping with hate, vengeance and, ultimately, regret. The artist has the eyes of a cinematographer.
Though the issue ended with the obligatory explosion, it led to subequently quiet final pages with the survivors. Cable begins to wonder about his destructive effect on people and governments and wonders if his way is the right one. I can dig that, given my criticisms above. Hopefully the book's new writer will explore Cable's newfound self-doubt.
Darko Macan (<b><i>Captain America: Dead Men Running</i></b>) is taking over the writing reigns next issue, and while I'm very-much looking forward to that, I can't help but wonder where this book could have gone if Tischman stayed aboard. He took the Askani warrior to more gritty, morally questionable real-world locales, found a way to use clones as an essential plot point, despite all of the negativity the word "clone" implies these days, and he seemed to have an excellent synergy with Kordey, making them the best creative team on this book ever, in my humble opinion.
Kordey's remaining onboard is perhaps a bigger deal than one might believe since he's not only the artist, but an ardent story-contributor who probably participated in more ways to the <i><b>Cable</i></b> relaunch than we'll ever know.
<b>Art:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpg
<b>Story:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
<b>Overall:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xhalf.jpg
Buy this issue online now from X-World Comics (http://www.x-worldcomics.com/x/bstore/newbooksmain.html) and save!
<b>Quick Rating:</b> Excellent!
<b>Story Title:</b> How Many Albanians Does It Take To Screw In A Lightbulb? (Conclusion)
It's the Clone Wars all over again, as Cable ventures to put an end to the ethnic Albanians clone-factory once and for all.
<b>Written by:</b> Igor Kordey, w/ David Tischman
<b>Art by:</b> Igor Kordey
<b>Lettered:</b> Randy Gentile
<b>Colored by:</b> Avalon Studios' Arsia Rozegar
<b>Assistant Editor:</b> Lynne Yoshii
<b>Editor:</b> Andrew Lis
<b>Editor In Chief:</b> Joe Quesada
<b>President:</b> Bill Jemas
In my review for <b><i>Cable #103</i></b> I predicted "Chow-Yun Fat style theatrics" for this issue, the conclusion to the "How Many Albanians..." storyline. Turns out I was dead wrong, as the violence was in no way glamorous or gratuitous, with Cable barely participating in it besides his... self-destructive actions in the end.
As my Quick Rating indicated, I thought this was an excellent issue, all in all, but I have to criticize the use September 11th news coverage as a backdrop to Goldberg's (evil mercenary mastermind's) speech about "acceptable loss." It's not that I have a problem with 9/11 imagery in comics - I have no problem at all if it's done with respect to the ensuing storyline, but it seemed awfully abitrary here. I'm not sure what it had to do with what Goldberg was talking about. As alternating panels switched back and forth between Goldberg's dialogue and a television commercial for a certain news station's commemorative War Special, I wasn't sure I could find the correlation (outside of the word "war").
Outside of that, I was very impressed with Tischman's final issue of <i><b>Cable</i></b>, though I have to wonder exactly how much influence he had since the credits list "Igor Kordey w/ David Tischman" as the story writers but doesn't list a separate scripting credit for Tischman. I'd like to know how much of this story was Kordey's doing as well, so I can pass the praise where it's due.
After the awkward opening scene with Goldberg, we find Viktoria (Cable's Serbian ally) on the run from a horde of blonde clones (Spider-Man readers should be familiar with those kinds) who are on the verge of madness, as their cellular degradation progresses. The main difficulty with these clones is that they slowly begin to remember everything about the life of their "original self" including the moments leading to his death. If you remembered dying, how would that bode for your mental stabilitiy? Good question. This story arc provided a thoughful answer.
Cable is, once again, deprived of much "screen time," and I'm beginning to get a little turned off by Cable's basic function in this book - to kick people in the ribs and blow stuff up. He's little more than a terrorist in his own book, and I wish Tischman followed through with some of the Askani-aspects he used in the title's "Shining Path" storyline. The real reason I want to see Cable has little to do with my liking the character (up until now, I didn't) but more to do with wanting to see more of Tischman's excellent characterizations and Kordey's captivating illustrations of the one-man-army's subtle moments and bombastic actions.
I will admit, though, that Cable's dimished presence did not adversly affect this conclusion which was told in an engaging fashion, with little questions posed here and there in captions ("If you were a clone who remembered being dead why would you mind dying again?") and a big-scale war between the Serbs and the ethnic Albanians deranged clone army.
Kordey's artwork this issue is great as usual. The Ana-clone/Gani scene is a personal favorite, seeping with hate, vengeance and, ultimately, regret. The artist has the eyes of a cinematographer.
Though the issue ended with the obligatory explosion, it led to subequently quiet final pages with the survivors. Cable begins to wonder about his destructive effect on people and governments and wonders if his way is the right one. I can dig that, given my criticisms above. Hopefully the book's new writer will explore Cable's newfound self-doubt.
Darko Macan (<b><i>Captain America: Dead Men Running</i></b>) is taking over the writing reigns next issue, and while I'm very-much looking forward to that, I can't help but wonder where this book could have gone if Tischman stayed aboard. He took the Askani warrior to more gritty, morally questionable real-world locales, found a way to use clones as an essential plot point, despite all of the negativity the word "clone" implies these days, and he seemed to have an excellent synergy with Kordey, making them the best creative team on this book ever, in my humble opinion.
Kordey's remaining onboard is perhaps a bigger deal than one might believe since he's not only the artist, but an ardent story-contributor who probably participated in more ways to the <i><b>Cable</i></b> relaunch than we'll ever know.
<b>Art:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpg
<b>Story:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xnone.jpg
<b>Overall:</b>
http://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xfull.jpghttp://x-mencomics.com/xfan/images/xhalf.jpg
Buy this issue online now from X-World Comics (http://www.x-worldcomics.com/x/bstore/newbooksmain.html) and save!