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Jason Grasso
Mar 9, 2008, 08:48 pm
<a href=" http://www.comixfan.com/xfan/images/previews/marvel/0308/CABL001_col.jpg" target="_blank"><img src=" http://www.comixfan.com/xfan/images/previews/marvel/0308/CABL001_colt.jpg" alt="Cable #1" hspace=10 align=left></a> Reviewer: Jason Grasso, Desperad07@aol.com
Story Title: War Baby, Chapter One

Two Guys with Huge Metal Arms...and a Baby

Writer: Duane Swierczynski
Artist: Ariel Olivetti
Letterer: VC’s Joe Caramagna
Assistant Editor: Will Panzo
Editor: Axel Alonso
Editor In Chief: Joe Quesada
Publisher: Dan Buckley
Published by: Marvel Comics (www.marvel.com)

Bursting out of the Messiah Complex uber-crossover, comes the ultimate man out of time and a little tyke that might just save the world (but right now can't even go to the bathroom without help). Cable, seeking to protect the mutant baby messiah, of course heads into an apocalyptic future setting so that his artist has cooler stuff to draw. I guess 1950s Iowa wasn’t an option for peaceful seclusion?

It’s 2043 in New Jersey. Cable is in East Orange looking towards downtown New York. This isn’t very far from where I’m writing this review and I can assure you that it is impossible to look across the water towards New York City from East Orange, what with there being about 10 miles of land in-between there and the Hudson River. A “superstorm” is mentioned but had such a thing happened, you’d have to contend with hundreds of Newark skyscrapers jutting out of the water and the city wouldn’t appear that close.

I’m from Jersey, you didn’t expect me to let this go without commenting, did ya? (Still it's indicative of an overall inability to gage distances and proportions.)

Cable contends with some fairly dispensable soldiers before changing the baby’s diapers. They’ve traveled from Scotland for a few months to get here and Cable hasn’t slept since. It seems that New York is fairly impossible to get into so the two take a detour at a diner where a mysterious robotic arm awaits.

It’s Gauntlet from The Initiative!! No, actually it’s Bishop, with a metal arm that defies physiology, gravity, and pretty much all of reality. He’s somehow tracked Cable, perhaps via some new capability in his super-arm. Logic would dictate that if you or I disappeared into thin air in a universe we’re told has infinite alternate timelines, it would be pretty hard for someone to track us to the precise location we ended up. Not here though. It doesn’t help that Bishop has been force-fed such a massive quantum shift in characterization, one that was never properly explained nor logically carried out in Messiah Complex.

Olivetti’s art is interesting, likely a love-it or hate-it style. I had always admired it from afar when perusing recent Punisher War Journal issues. It’s unique enough to enjoy, but I’ll admit it sometimes gets too stylized. Here, I think his biggest faults are matters of proportion. The aforementioned bionic arm is so absurd, you expect Deadpool to rejoin his former comrade and start cracking jokes. But this is just one frame. The baby is a much bigger proportion issue. Olivetti shares the blame here with some of the Messiah Complex artists; still, he had every opportunity to correct it here. Cable has always been a man of disproportion. (Remember those huge guns he used to tote around?) But here the baby is barely larger than his chin! And is probably smaller than his sidearm. Not to mention, he’s carrying around the baby on his chest, center mass, literally inside of an X emblem, a target if I’ve ever seen one.

The story has promise. (Swierczynski's writing was almost entirely short narration so the jury's out on his writing.) Cable once played the part of “Chosen One” so it’s an interesting pairing. He’s essentially raising the next chosen one. But someone is going to have to flesh this whole Messiah storyline out more thoroughly, and soon. For now the mystery is enticing enough but it could quickly fall flat if the title isn’t given a purpose other than protecting a baby from Bishop.

OVERALL:
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‘Buy Cable online now from X-WORLD and save!’ ( http://x-worldcomics.com/yourvirtualstore/shopexd.asp?id=26360)

Robert Cammarata
Mar 9, 2008, 09:14 pm
Your Gauntlet joke was awesome!!!


I had mixed feelings on this one. I think the premise and the narration is terrific. I am totally sold on this idea and the parallelism between Cable and Bishop and also between Cable and this baby. Cable has been missing this sort of clear direction for awhile.

On the other hand, nothing bloody happens in this issue. The setting is bizarre (no offence Jason) as it doesn't even look like the future; just a slightly diritier present and I'm not the hugest fan of the art.

I have a bunch of reservations but boy the idea is great and I thought that was some of the best, grittiest writing for Cable i've ever read. This writer would be great on the Punisher as well.

BlingstonHughes
Mar 10, 2008, 12:10 am
I agree with the bit toward the end of the review citing the need to flesh out the Messiah storyline a bit more. That's indicative of a lot of Marvel's recent stories: the dangling plot threads are less like threads and more like entire sweaters and pants suits. By the end of Civil War, we were left wondering the exact details behind the SHRA and Tony never got his comeuppance or even talked to about deliberately getting the SHRA supported (as seen within the pages of Amazing Spider-Man, where he hired the Crimson Dynamo to attack Washington!, and briefly mentioned in Frontline), and following House of M, we never really understood how many mutants actually existed or how Layla Miller was able to maintain her knowledge of the true reality or how she was able to wake everyone up. Even more recently than that, Hawkeye's issue of NA where he went to open a door and then walked away - by far the most confusing and vague issue of any comic I've read in recent memory.

But I digress - if we're supposed to be invested in this child, it would help to know how exactly she saves mutantkind, how she was able to be born, or even her name. I'm glad that Cable's finally getting some screentime, but vague "Save the baby" storylines will really only go so far.

PS. I kinda dig the art. Enjoyed it back in War Journal too.

Phoenix_Force
Mar 10, 2008, 02:13 pm
I like the art.

The story? Well, no sense in repeating what's been said. But hey, at least unlike the other crossovers of the MU, we have a series that's (maybe) going to give us resolution to a dangler!

And Jason, I actually might prefer to read about Cable stuck in 1950s Iowa and having to raise the baby there. Not only is it a cool time in the MU, but just think of the "Leave it to Beaver" moments just waiting to be scripted!

"Dad, I'm home!"

"Messiah, your school called today. Is there something you need to tell me?"

"No . . ."

"Messiah . . ."

"Well, golly-gee, pop! How was I supposed to know that that gum would stay stuck in Sally May's hair for as long as it did. And besides, her new hairdo isn't so bad."

"Messiah, you go right over there and apologize to Sally May's mother or you'll be spending your Sundays sorting out my continuity. You hear?"

Mightiest_mortal
Mar 10, 2008, 06:03 pm
He’s somehow tracked Cable, perhaps via some new capability in his super-arm. Logic would dictate that if you or I disappeared into thin air in a universe we’re told has infinite alternate timelines, it would be pretty hard for someone to track us to the precise location we ended up. Not here though.
Didnt Claremont give Bishop some super GPS power now so he always knows where everyone and everything is in relation to himself?
I think it was about the same time he had magneto create a wormhole with his power.



.....i wish i was joking :(

Supa
Mar 10, 2008, 06:21 pm
Didnt Claremont give Bishop some super GPS power now so he always knows where everyone and everything is in relation to himself?
I think it was about the same time he had magneto create a wormhole with his power.



.....i wish i was joking :(

Actually, the new power of Bishop was to able to locate himself at anytime, anywhere.

cattmoe
Mar 10, 2008, 06:35 pm
I'm pretty sure Bishop stole Time Travel technology from Forge's lab when he attacked him in MC. I just assumed that's where he got it, and it would only be logical he could use it to track Cable as well.

The metal arm thing, though.... ugh. I'm a huge Bishop fan and I'm not liking that development at all.

Mightiest_mortal
Mar 10, 2008, 07:02 pm
The metal arm thing, though.... ugh. I'm a huge Bishop fan and I'm not liking that development at all.
Im with you. If theyd just given him a robot arm, it could have been cool. If theyd given him a ridiculous cannon for an arm it could.. maybe.. have been cool.. but it just looks weirdly out of proportion. Maybe he killed some 8 foot robot guy and stole his arm.

dopplegager
Mar 10, 2008, 07:16 pm
Actually it is possible to see the city from East O. I could see it when I lived in Kearney, Newark and East O. I used to live there and I'm pretty sure that you could. I don't think that you can see it from passaic but you can from rutherford, east rutherford, Arlington, North Arlington and harrison. I could go on but I think that should be sufficient.

Float On

Jason Grasso
Mar 10, 2008, 07:20 pm
Actually it is possible to see the city from East O. I could see it when I lived in Kearney, Newark and East O. I used to live there and I'm pretty sure that you could. I don't think that you can see it from passaic but you can from rutherford, east rutherford, Arlington, North Arlington and harrison. I could go on but I think that should be sufficient.

Float On

It is possible to see the city, absolutely. You can see it from a ton of places in Jersey. But the comic book portrays it as if it was as close as Hoboken or Jersey City

Phil Hunn
Mar 11, 2008, 07:23 pm
But I digress - if we're supposed to be invested in this child, it would help to know how exactly she saves mutantkind, how she was able to be born, or even her name. I'm glad that Cable's finally getting some screentime, but vague "Save the baby" storylines will really only go so far.

"Save the baby, save the baby, save that baby NOW!"

:P

I'm pretty sure Bishop stole Time Travel technology from Forge's lab when he attacked him in MC. I just assumed that's where he got it, and it would only be logical he could use it to track Cable as well.

The metal arm thing, though.... ugh. I'm a huge Bishop fan and I'm not liking that development at all.

Me neither. It's a hideous mess of a redesign for the guy, who's already been given a needless personality transplant (not to mention reverting back to that annoying "I'm Lucas Bishop and I'M A COP! I'm having my breakfast and I'M A COP! I'm tying my shoelaces and I'M A COP!" mindset :().

Im with you. If theyd just given him a robot arm, it could have been cool. If theyd given him a ridiculous cannon for an arm it could.. maybe.. have been cool.. but it just looks weirdly out of proportion. Maybe he killed some 8 foot robot guy and stole his arm.

Yeah, that giant shoulder-pad thing just ruins it completely. If they'd given him a normal-sized arm with a fusion cannon grafted to the top of it, though, I'd be much happier. That way, when he knocked Cable flat on his arse after beating the crap out of him, and Cable tried grabbing his leg in a final act of desperation, he could simply keep him arm at his side and say "Such heroic nonsense..." before blowing Cable's head off with a casual blast from the cannon.

It'd be Megatron-tastic!

dopplegager
Mar 12, 2008, 05:43 pm
Oh. I didn't pick up the issue. i didn't realise it was like hoboken to the city. Well then I'll concede defeat. lol.
Float On

Ann Nichols
Mar 15, 2008, 10:57 pm
We know there's been massive East Coast flooding. There was a superstorm in 2012. East Orange is a beach town. It took 5 months for Cable to get from Scotland to East Orange, most of it by boat. Has the Atlantic changed that much? Did they have to wait in various ports for another boat to take them the next leg of the journey?
Seattle is in its 79th day of Drought.

What the heck happened?

So, which looks more ridiculously outsized: Bishop's robot arm or Korvus' Phoenix Blade?